Looking for a great book of samples for college application essays?
Here’s a little book of essays written by graduates of Berkeley High School, which has a truly diverse student population and moves through about 700 seniors every year. (“As you will see from these stories, some live on their own, while others come from well-off families,” states the foreword.) And they all found compelling stories to tell about themselves. The essays, which targeted mostly California state schools, UCs and select private colleges across the country, were collected for this book by a savvy college counselor there named Ilene Abrams.
The book includes the name of the authors of each essay, along with what year they graduated and where they ended up going to college. It’s clear that these students were well-counseled in the process, since almost all the essays met the goal of their advisors: to tell a story “only you can tell.” The stories are rich in details, as diverse in topic, style and tone as their writers, and most tell some type of story. The best thing is that I believe they can help students see that they could write a similar essay!
In case you can’t read the title in the image: The Berkeley Book of College Essays: Personal Statements for California Universities and Other Selective Schools, compiled by Janet Huseby.
And I have to mention my own collection of stand out college application essays: Heavenly Essays.
more tips. pretty basic, but solid advice…
From article in the New York Times:
June 23, 2009, 12:22 PM
As an inaugural post, Martha C. Merrill, the dean of admission and financial aid of Connecticut College, and a graduate of the class of 1984, encourages incoming high school seniors (with her Top Ten tips):
- Write about yourself. A great history paper on the Civil War might be very well written, but it doesn’t tell me anything about the writer. Regardless of the topic, make sure you shine through your essay.
- Use your own voice. I can tell the difference between the voice of a 40-year-old and a high school senior.
- Focus on one aspect of yourself. If you try to cover too many topics in your essay, you’ll end up with a resume of activities and attributes that doesn’t tell me as much about you as an in-depth look at one project or passion.
- Be genuine. Don’t try to impress me, because I’ve heard it all. Just tell me what is important to you.
- Consider a mundane topic. Sometimes it’s the simple things in life that make the best essays. Some of my favorites have included essays that reflect on the daily subway ride to school, or what the family goldfish observed from the fishbowl perched on the family kitchen table. It doesn’t have to be a life-changing event to be interesting and informative.
- Don’t rely on “how to” books. Use them to get your creative juices flowing, but don’t adhere too rigidly to their formulas, and definitely don’t use their example topics. While there are always exceptions, the “what my room says about me” essay is way overdone.
- Share your opinions, but avoid anything too risky or controversial. Your essay will be read by a diverse group of individuals from a wide range of backgrounds, so try to appeal to the broadest audience possible.
- Tell a good story. Show me why you are compassionate; don’t tell me you are. Show me that you have overcome great difficulty; don’t start your essay with “I have overcome great difficulties.”
- Don’t repeat what is already in your application. If you go to a performing arts school and all of your extracurricular activities and awards relate to dance, don’t write about how much you love dancing. Tell me something I couldn’t know just from reading the other parts of your application.
- Finally, don’t forget about the supplements. The supplement questions are very important – you should plan to spend as much time on them as you do on your essay. A well-written essay won’t help if your supplement answers are sloppy and uninformative.
Now here’s a winning essay…
3A. ESSAY: IN ORDER FOR THE ADMISSIONS STAFF OF OUR COLLEGE TO GET TO KNOW YOU, THE APPLICANT, BETTER, WE ASK THAT YOU ANSWER THE FOLLOWING QUESTION:
ARE THERE ANY SIGNIFICANT EXPERIENCES YOU HAVE HAD, OR ACCOMPLISHMENTS YOU HAVE REALIZED, THAT HAVE HELPED TO DEFINE YOU AS A PERSON?
I am a dynamic figure, often seen scaling walls and crushing ice. I have been known to remodel train stations on my lunch breaks, making them more efficient in the area of heat retention. I translate ethnic slurs for Cuban refugees, I write award-winning operas, I manage time efficiently. Occasionally, I tread water for three days in a row.
I woo women with my sensuous and godlike trombone playing, I can pilot bicycles up severe inclines with unflagging speed, and I cook Thirty-Minute Brownies in twenty minutes. I am an expert in stucco, a veteran in love, and an outlaw in Peru.
Using only a hoe and a large glass of water, I once single-handedly defended a small village in the Amazon Basin from a horde of ferocious army ants. I play bluegrass cello, I was scouted by the Mets, I am the subject of numerous documentaries. When I’m bored, I build large suspension bridges in my yard. I enjoy urban hang gliding. On Wednesdays, after school, I repair electrical appliances free of charge.
I am an abstract artist, a concrete analyst, and a ruthless bookie. Critics worldwide swoon over my original line of corduroy evening wear. I don’t perspire. I am a private citizen, yet I receive fan mail. I have been caller number nine and have won the weekend passes. Last summer I toured New Jersey with a traveling centrifugal-force demonstration. I bat 400. My deft floral arrangements have earned me fame in international botany circles. Children trust me.
I can hurl tennis rackets at small moving objects with deadly accuracy. I once read Paradise Lost, Moby Dick, and David Copperfield in one day and still had time to refurbish an entire dining room that evening. I know the exact location of every food item in the supermarket. I have performed several covert operations for the CIA. I sleep once a week; when I do sleep, I sleep in a chair. While on vacation in Canada, I successfully negotiated with a group of terrorists who had seized a small bakery. The laws of physics do not apply to me.
I balance, I weave, I dodge, I frolic, and my bills are all paid. On weekends, to let off steam, I participate in full-contact origami. Years ago I discovered the meaning of life but forgot to write it down. I have made extraordinary four course meals using only a mouli and a toaster oven. I breed prizewinning clams. I have won bullfights in San Juan, cliff-diving competitions in Sri Lanka, and spelling bees at the Kremlin. I have played Hamlet, I have performed open-heart surgery, and I have spoken with Elvis.
But I have not yet gone to college.
Yes, this is a joke. Apparently, a guy named Hugh Gallagher wrote this for a writing contest.(more on Hugh: https://en.wikipedia.org/wiki/Hugh_Gallagher_(humorist) ) Although his essay mocks the process of marketing yourself to colleges, this personal satire is compelling and readable–exactly what you want in your essay!!
Note his use of details, specific details. Instead of saying he cooks desserts, Gallagher writes he “cooks Thirty-Minute Brownies;” instead of just saying he was good at baseball, he said he was “scouted by the Mets;” and instead of saying he knows celebrities, he says he has “spoken with Elvis.” Also, see how he varies his sentence lengths to keep things moving foward. Try it!
BTW, Hugh ended up at NYU.
*And I have to mention my own collection of stand out college application essays: Heavenly Essays. It includes 50 narrative-style essays all written by real students who got into terrific school.
College presidents get to feel your pain…
Here’s an interesting article by the Wall Street Journal about college presidents from 10 prominent colleges and universities (Reed, Carleton, Wesleyan, U of P, Barnard, etc.) who were asked by the newspaper to answer their own college admissions essay prompts. There’s something satisfying in that…
Click here to read article: https://online.wsj.com/article/SB124155688466088871.html
Writing Tips: From a Master Storyteller Teacher
Roy Peter Clark was a famous writing coach when newspapers started directing their reporters to tell the news through a story-telling format in the late 70s and 80s, a genre called New Journalism and made famous by Tom Wolfe.
(The main difference between New Journalism stories and your college essays is that your stories are told in the first person, as opposed to the third person. It’s all narrative writing.)
Here’s a link to his 50 tips, and podcasts: https://www.poynter.org/column.asp?id=78&aid=103943
My favorite tips, when it comes to writing college essays, are numbers 1, 8, 9, 10, 14, 20, 21, 22, 24, 32 and 34.
(With each podcast, Clark elaborates on the tip with examples and further insights–if you have the patience and are a good listener. I’m getting the book!)
Long, but read every word. Read it twice. Pure gold.
How to Write a Killer Essay
New York Times Upfront , Dec 13, 1999 by Glenn C. Altschuler
An Ivy League dean offers six tips to steer your admission essay in the right direction:
1. Write about your world and your experiences. A 17-year-old inhabits a foreign country, and adults who work in colleges are curious about what it’s like to live within its borders. Essays about a friendship that was forged or one that failed, buying a pair of sneakers, an afternoon working at Dunkin’ Donuts, or getting robbed on the subway can provide glimpses of your ideas, values, and passions.
2. Avoid writing about national and global issues. You’ll sound like a teenager trying to sound like an adult.
3. Describe, don’t characterize. Minimize adjectives and adverbs. “The Coach Who Changed My Life” may be healthy, wealthy, and wise, but these qualities can best be conveyed in a narrative of what he actually said and did. In “Ode to Dad,” a Cornell applicant explained her father’s values by describing his hands, encrusted with dirt from a career as a truck farmer. It worked.
4. Resist the temptation to let others speak for you. A quotation from a philosopher, poet, or politician may appear to be the perfect opportunity to parade your erudition. More often than not, however, you will impress no one.
5. Establish distance from your subject. Distance discourages essayists from drawing the cliched moral. Every semester I yearn for the applicant who will declare that organized sports are not a metaphor for life, that the race is not always to the swift. Years ago we admitted a student whose essay, “Riding the Pine,” found that no enduring truths came from sitting on the bench for an entire baseball season. It’s OK to be just a bit confused, to find the meaning of life elusive.
6. Know yourself. Selection committee members are pretty savvy. They have learned to look for authenticity, not profundity. But knowing yourself, on paper, takes imagination, reflection, and time. Start early, let parents and friends read it, and then revise. The voice you find may be your own.
GLENN C. ALTSCHULER is a dean and professor at Cornell University.
Listen to the Lamb
In a recent profile in O magazine, novelist Wally Lamb talked about teaching autobiographical writing to female prison inmates. Although many of these women have juicy stories to tell, Lamb asks all of us, “Which of us is so self-aware that we could not reveal ourselves more deeply by reflecting on our lives with fingertips on the keyboards?”
Lamb, whose most famous novel is called She’s Come Undone, has this to say about revision. (Revision is that painful word about what you do to your writing after you crank out a rough draft. It’s really what good writing is all about.)
“Learn to love revision. Listen to suggestions about what you might add, cut, reposition, and clarify in your work-in-progress. Welcome such feedback with gratitude and humility, returning to your words with sharper insight. Make mistakes, lots of them, revising draft after draft of your continuing story. Your errors will be educational, and if your pencil outlives its eraser, then you will know you’re getting it right.”
Don’t OD on Adjectives in Your College Essays
Mark Twain, one of the best prose stylists ever ever ever, wrote, “As to the Adjective: when in doubt, strike it out.” When we are writing narratives and striving for “descriptive” prose, many of us reach for those juicy adjectives. I’m trying to kick my adjective habit. I now understand that if I need two words to describe something, especially when I use a long adjective and a noun, I probably haven’t found the best noun yet.
In a letter to a friend, written in 1880, Twain said, “I notice that you use plain, simple language, short words and brief sentences. That is the way to write English–it is the modern way and the best way. Stick to it: don’t let fluff and flowers and verbosity creep in. When you catch an adjective, kill it. No, I don’t mean utterly, but kill most of them–then the rest will be valuable. They weaken when they are close together. They give strength when they are wide apart. An adjective habit, or a wordy, diffuse, flowery habit, once fastened upon a person, is as hard to get rid of as any other vice.”
I recently stumbled across a sample college admissions essay that was actually recommended by Connecticut College from their sample “Essays That Worked.” Check out the first paragraph and see an adjective overdose for yourself. I don’t mean to pick on the writer, but adjective restraint is something we all can work on. By the second paragraph, she shifts into a much more direct style of writing and the rest of her essay rocks! See how many adjectives (and adverbs!) you would take out:
Olivia Rabbitt ’16
Bishop Feehan High School, Attleboro, MA
The bright blue eyes that alight with unfettered curiosity on the burgeoning bulletin board are not only my own. Nor are the ears that listen raptly to the hum of student life and the gentle sing-song of our tour guide’s voice. Almost in tandem, my companion and I tear ourselves from the vivid vignette of college life and return with unmatched strides to the vast expanses of the campus. As the tour continues, I am neither surprised by the eager questions my companion poses – “Where’s the baseball field?” – nor by the heightened interest painted so clearly across his face. Wandering amongst the tall stone buildings, I appreciate for the first time how much this visit means to my constant companion, my father.
Click HERE to read entire essay.
If you need more help getting started with your college admissions essay, check out my Jumpstart Guide.
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Be Specific…Huh?
Writing experts always tell us, “Be specific!”
But what does that mean?
How do we do that?
Other gurus say, “use concrete details.” Huh?
What the heck are those?
After many years of ignoring this advice, I think I get it.
Instead of saying, “We did a lot of fun things at summer camp,” say, “We raided the girls’ cabin, pulled frogs out of the lake and filled the salt shakers with sugar.”
After you knock out a rough draft for one of your essays, re-read it and look for lines that are bland summaries, and “be specific.” Give details.
Use nouns. Avoid too many adjectives. (More on that later…)
Another way to be specific is to give examples.
If you say you are creative, give an example of a time you were creative. Don’t just say you were creative, but include details about how you were creative.
Example: When I made a self-portrait of myself in art class, I used paper mache and stuck in objects, like shells, sea glass and plant pods, to show my eyes and other features.”
Famous writing coach Roy Peter Clark always says, “Name the dog!” He means in writing, don’t just say “The dog ran across the street.” Instead, say, “The three-legged Bulldog named Rex crossed the street.” See the difference?
Inside the Heads of the College Admissions Committee
College Admissions Essays:
How to Connect with Your Reader
I’ve talked about this already, but here is more scoop about your college application essay “audience,” and it’s a tough crowd: college admissions officers read zillions of these college application essays and most are BORING, and get tossed in the boring pile!!!
If you don’t believe me, here are some quotes from some honest (notice they weren’t quoted by name!) admissions folks gathered by an inspired, veteran English teacher named Jim Burke.
As an English teacher, Burke says he often is asked to help students on their essays, and he understands that many of them are either way too long, do not answer the prompt and/or are just like all the other essays.
He quotes in a Web appendix to his book,The English Teacher’s Companion:
“Another admissions officer I interviewed said: ‘There are three things you don’t ever want to watch being made: one is sausage, one is legislation, and the other is college admissions because the process is sometimes so random, given the number of kids that come across our desks.
I read a thousand applications, each one of which has to have an essay, and I give each application about ten minutes in the first read-through. Anything kids can do to connect with me as the reader, to make them stand out in that essay, which in many cases is the most important piece of the puzzle, helps me.’
‘When we read them, though the scale is 1 to 10, we mostly calibrate it to a 2, 5, and 8: 2 means the essay negatively affects the student’s application; 5 means it does nothing to advance the application; 8 means it moves it forward toward acceptance, though other factors are, of course, considered.’
If you want help bumping up your college application essay or personal statement, read my post on How to Bump Up a Dull Essay. Or, if you are just getting started, use my super helpful Jumpstart Guide.